What The Law And Order Sound?
- Marvin Harvey
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In an email conversation, composer Nico Muhly — who has worked with artists such as Bjӧrk and Usher — told me, “I think the accepted spelling is ‘Dun Dun,’ but I firmly believe in the flexibility of transliteration systems for all music. I would personally prefer ‘dun’ as a plosive,” he adds, “based on the instrumentation of the sound over the affricate ‘ch’ sound, even if it’s there, in a kind of rock paper scissors sort of way.” In 1993, Law & Order ‘s composer and creator of the sound Mike Post told Entertainment Weekly that he thinks of it as “the stylized sound of a jail cell locking,” which makes sense given the series’ focus on bringing criminals to justice.
- I wanted to add something that’s very distinctive but not a literal sound.
- What I tried to do was jar a little bit,” he continued.
- But the sound is actually a combination of several sources.
- I sampled a jail door slamming, a couple other things,” he continued in 2005, telling The Television Academy Foundation that he’s not beholden to one name for the sound.
“This clunk clunk, ching ching, chong chong thing, whatever you think it is.” Perhaps the most interesting element of the sound is that of 500 Japanese men stamping their feet on a wooden floor, according to Entertainment Weekly. “It was a sort of monstrous Kabuki event,” Post told the magazine.
- Probably one of those large dance classes they hold.
- They did this whole big stamp.
- Somebody went out and sampled that.” Post says the Law & Order cast and crew call it the “chung chung”.
- Onomatopoeically, this is the closest description of the sound, which does give off a distinctive chime sound of cymbals clanging or a gong banging.
Though Post has offered a variety of identifiers for the sound, in the aforementioned 1993 interview with Entertainment Weekly, he called it by another name. “It’s odd, to be honest,” he says, “when you’ve written a theme that you think is very musical and what everybody wants to talk about is The Clang.”
How is the dun dun sound made?
The Law & Order Sound: The Doink Doink You know you’re watching Law & Order when you hear that unmistakable sound. Dann Florek said in a commercial for the show that they call it “the doink doink.” I like that name much better than “chung chung” or some of the other names it’s been given, so doink doink it is.The sound is usually heard when the show makes major scene change, and it’s accompanied by a black title card with white text describing the new scene.
Is Law and Order sound effect copyright?
How the Law & Order sound happened – Mike Post, composer of the Law & Order theme and sound. Kyle Espeleta/FilmMagic/ Getty Images Long before he worked on Law & Order, Mike Post was a legendary television composer behind themes for shows like The A-Team, Doogie Howser, MD, and many others (you can listen to a compilation of his greatest hits ). In the late ’80s, a former colleague, producer Dick Wolf, asked to meet with Post to pitch him his idea for a new type of TV crime show. From the beginning, Wolf had a unique vision for Law & Order’s aesthetic (Post told the full story of the sound in the interview with the Archive of American Television). Wolf sought minimal music and a serious tone, so once he sent over the pilot, Post knew exactly how to put together the iconic theme song and score the show. The classic sound effect was a footnote to the process. On a late call, Wolf gave Post a unique assignment: a sound for the location cards in the show. “Talk to sound effects,” Post originally told Wolf. “Don’t bother me with this.” Wolf persisted, and Post eventually agreed to create something, even though it wasn’t conventional music. As a highly successful composer, Post never needed the sound effect to pay the bills. But it became so popular that Wolf insisted Post take him out to dinner. And because the sound is technically a piece of music, it earns a royalty every time it’s played. That’s true on Law & Order, in its many spinoffs, or in other media cameos, like on fellow megahit The Big Bang Theory, That single sound effect has probably been worth a fortune. That may be why Post prefers his own name for the iconic sound. “I call it the ching ching,” he told the Archive of American Television, “because I’m making money off of it.” \r\n \r\n vox-mark \r\n \r\n \r\n \r\n \r\n \r\n “,”cross_community”:false,”groups”:,”internal_groups”:,”image”:,”bounds”:,”uploaded_size”:,”focal_point”:null,”image_id”:47169040,”alt_text”:”Chung CHUNG: the sound of justice.”},”hub_image”:,”bounds”:,”uploaded_size”:,”focal_point”:null,”image_id”:47169040,”alt_text”:”Chung CHUNG: the sound of justice.”},”lede_image”:,”bounds”:,”uploaded_size”:,”focal_point”:null,”image_id”:47169040,”alt_text”:”Chung CHUNG: the sound of justice.”},”group_cover_image”:null,”picture_standard_lead_image”:,”bounds”:,”uploaded_size”:,”focal_point”:null,”image_id”:47169040,”alt_text”:”Chung CHUNG: the sound of justice.”,”picture_element”:,”alt”:”Chung CHUNG: the sound of justice.”,”default”:,”art_directed”:}},”image_is_placeholder”:false,”image_is_hidden”:false,”network”:”vox”,”omits_labels”:true,”optimizable”:false,”promo_headline”:”Chung CHUNG: Happy 25th birthday to the Law & Order sound”,”recommended_count”:0,”recs_enabled”:false,”slug”:”2015/9/13/9313391/law-and-order-sound”,”dek”:””,”homepage_title”:”Chung CHUNG: Happy 25th birthday to the Law & Order sound”,”homepage_description”:”This is how the sound of justice was made.”,”show_homepage_description”:false,”title_display”:”Chung CHUNG: Happy 25th birthday to the Law & Order sound”,”pull_quote”:null,”voxcreative”:false,”show_entry_time”:true,”show_dates”:true,”paywalled_content”:false,”paywalled_content_box_logo_url”:””,”paywalled_content_page_logo_url”:””,”paywalled_content_main_url”:””,”article_footer_body”:”We believe that everyone deserves access to clear, factual information that helps them educate themselves on the issues of the day and the things that pique their curiosity. 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What instruments are used in law and order theme song?
The Original Law & Order series theme is a clarinet. SVU uses a different instrument. My musician friends say it’s a soprano sax (like Kenny G plays) I think it’s an oboe as it sounds less airy than a single reed instrument normally sounds.
What is the clunk clunk sound on law and order?
You don’t even have to be looking at the screen to know an episode of the “Law & Order” franchise has just started or transitioned to a new scene. All you have to do is hear the iconic sound: dun-dun. As a reboot of the original “Law & Order” gets set to premiere Thursday on NBC, the famous sound effect created by composer Mike Post will once again be a crucial part of the show. Wolf had previously been a writer on “Hill Street Blues,” a hit 1980s cop drama on NBC whose famous theme song was also written by Post. Post watched the pilot for “Law & Order” and really liked it, so he wrote the show’s theme song, which has become another beloved piece of music for “L&O” fans over the years. It wouldn’t be an episode of “Law & Order: SVU” without the iconic “dun-dun” sound. Chris Haston / NBC Wolf pleaded with Post to create the sound himself. “He laughed and said, ‘Can’t you come up with something? Please, come up with something that’s really distinctive,'” Post said.
“He said, ‘You watch, it’ll end up being important.’ I went, ‘You’re crazy, you don’t know what you’re talking about.'” Post told “The Law & Order: SVU” podcast in 2020 that he sampled the sound of a jail door slamming shut as well as the sound of a man hitting an anvil with a hammer and some different drum noises his team came up with in the studio.
He thought it needed more “heft to it,” so he incorporated a sound he found of 100 men stomping on a wood floor in Japan. Not only is the sound iconic to “L&O” fans, it’s music to the ears of Post’s bank account. He has a different name for it than “dun-dun.” “It’s not a sound effect, it’s a piece of music that actually gets a royalty,” he told the Television Academy Foundation. His creations have become part of the sonic landscape of television for decades, as the original “Law & Order” ran from 1990-2010 and is now being revived with a cast that includes stars Sam Waterston and Anthony Anderson, Meanwhile, “Law & Order: SVU” is the longest-running prime-time U.S.
- Live-action series in TV history in its 23rd season.
- Every time Dick comes up with another show, he calls me and says, ‘OK, it’s time for another variation,'” Post said.
- Post has created a pair of legendary TV theme songs for “Hill Street Blues” and “Law & Order,” but he may end up remembered most for the “dun-dun” he tried to brush off to the sound effects department.
“After maybe a year or two or three, Dick sends me a note one day that says, ‘Now, smart guy, what do you think of this? On your headstone, you’re going to be known for two notes that aren’t even notes,'” Post told “The Law & Order: SVU” podcast. “Everything you’ve written that’s pretty good, and you’re going to be known for the one thing you didn’t even want to do.” Scott Stump is a staff reporter and the writer of the daily newsletter This is TODAY.
What is the dun sound effect called?
T here’s surely only one thing that unites Russian composer Igor Stravinsky’s Rite of Spring, the 1974 comedy horror Young Frankenstein and The Muppets’ most recent special on Disney+. Regrettably, it is not Kermit the Frog. The thing that appears in all of these works has no easily recognisable familiar name, although it is perhaps one of the most recognisable three-beat musical phrases in history.
It starts with a dun; it continues with a dun; it ends with a duuun! On screen, a dramatic “dun, dun duuun” has appeared in everything from Disney’s Fantasia to The Fresh Prince of Bel-Air to The IT Crowd, In 2007, a YouTuber scored a video of a melodramatic prairie dog with the three beats, earning over 43m views and a solid place in internet history.
Yet though many of us are familiar with the sound, no one seems to know exactly where it came from. Try to Google it and dun, dun, duuun! Its origins are a mystery. Taken together, these three duns are what’s known as a sting – a brief bit of music that media producers can use to break up the action or punctuate a theatrical moment.
- While today’s dun dun duuuns are often employed jokingly to parody the dramas of days gone by, the suspenseful sound was once legitimately used to frighten and thrill.
- One of the challenges of radio – and it’s the same now as it was 100 years ago – is how do you hook the listener?” says Richard Hand, a media professor at the University of East Anglia and author of Terror on the Air! Horror Radio in America, 1931-1952.
Alongside orchestral stings, sound effects such as clock chimes, claps of thunder, and whistling wind were used to grab the audience’s attention in the early days of radio, as the medium has always invited multitasking.”Those dramatic organ stings could have a powerful effect.” Before the development of sound libraries, many of these stings were performed live.
“They became cliched and we laugh at them, but actually what soundscapes can do can be extraordinary.” Suspense, an American horror show broadcast on CBS Radio between 1942 and 1962, was filled to the brim with sound effects and dramatic stings. Just over three minutes into its first episode (after bells, the sound of a train, and plenty of piano), a three-beat sting lingers on its last note when a man discovers his wife is potentially an undead poisoner.
But it’s difficult to pinpoint the very first on-air dun dun duuun, and it’s likely the musical phrase predates the radio. Hand says the medium tended to adopt already popular tropes to entice listeners. “They imported that musical structure and musical language,” he says, pointing to Victorian stage melodramas. Dramatic punctuation The Fresh Prince of Bel-Air. Photograph: NBC/Getty Images In a recording of the sketch which can be heard on the US Library of Congress website, Duprez mocks melodramas by telling a story and rebutting the incongruous sounds that play between the action (when a villain enters with a dramatic sting and a clip-clop, he exasperatedly says, “Not on a horse! Just on his feet!”).
Though the stings heard in this sketch are single duns (sans the follow -up dun and duuun), Feaster says: “It seems stinger chords must have been entrenched enough in melodrama by 1912 to invite parody.” He guesses that the three-beat version may have then come to be preferred for satire, “because it’s more conspicuous than a single all-at-once chord would be.” Producers continued to enjoy parodying dramatic stings on radio shows throughout the 20th century – The Goon Show in the 1950s regularly ridiculed audio tropes in mock detective stories such as The Dreaded Piano Clubber,
Occasionally, three duns were still used for dramatic effect in film: In 1940’s Fantasia, Disney’s recording of Stravinsky’s 1913 Rite of Spring emphasised two duns and a lingering duuun at the end of a dinosaur battle (though the composer’s original features a similar three beats, they’re not as pronounced or as recognisable as the sound we know today). ‘Like having a Penguin Classic’ Beavis and Butt-Head. Photograph: Moviestore/Rex/Shutterstock “It’s like having a Penguin Classic,” says 74-year-old composer Dick Walter, who has arranged music for programmes such as The Two Ronnies and The Morecambe & Wise Show.
- In 1983, recordings library KPM Music asked Walter to produce four vinyl albums of musical phrases known as The Editor’s Companion.
- With an orchestral lineup of around 35 to 40 people, Walter recorded hundreds of tracks over the course of 18 months, including chase music, sleighbells, and a four-second, three-beat sting called Shock Horror (A) that comprises the notes D#, C and F#.
“It’s musical shorthand which says a lot very quickly,” Walter says of the first of five melodramatic exclamations that run all the way down to Shock Horror (E). But where did he find the inspiration? Walter’s mother, an amateur pianist, used to play Edwardian and Victorian melodrama in the house, while he was a lover of jazz as a teen.
He explains that for centuries, composers have used a particular musical interval to denote tension. Its name? Diabolus in musica – or “the devil’s interval” to you and me. The devil’s interval is a dissonant combination of tones that unsettles the listener because it is unresolved. You’ve likely heard the devil’s interval as the opening two notes to The Simpson’s theme tune, as well as the beginning of Maria from West Side Story (Walter helpfully sings both).
Yet in both cases, the tension is immediately resolved with the next note, producing a pleasant effect. “But if you don’t resolve it, you’re left feeling unsatisfied,” Walter explains, “That’s what it boils down to.” When Walter was charged with creating horror stings for The Editor’s Companion, “the obvious thing to do” for Shock Horror (A) was use the interval – his is “just an extremely abbreviated version, about as short as you can get”.
A few years ago, he was happy to hear his sting played on BBC radio show I’m Sorry I Haven’t a Clue, realising “it’s obviously become a bit of a go-to thing”. This is an understatement – The recording has since been used in SpongeBob SquarePants, Roseanne, The Fresh Prince of Bel-Air and Beavis and Butt-Head, as well as adverts for cereal, snacks and a home improvement store.
While some producers may prefer to create their own version, Walter’s sting has become an easy staple – the bread and butter of dun, dun, duuuns. There is – dramatic pause! – no way of knowing where it will end up next. “I think the thing that makes Shock Horror eminently usable is that it’s orchestral, so it’s quite big,” Walter says of the track’s appeal.
Who invented Dun Dun Dun?
Have You Heard This ? This is the most successful sound in television history. Let’s consider the art form it represents, and why this is the finest example. It is, of course, the signature bleat from “Law & Order,” something I surely did not need to tell you, which by itself is a measure of its greatness.
Not a lot of shows employ this sort of aural calling card, perhaps because coming up with the perfect sound is not easy. Imagine invoking an entire television series and its themes with an audio flourish that lasts no more than a few seconds. Not a theme song — that’s a different matter, and far easier to create — just a fleeting tone, honk, clang or other noise.
The Hall of Fame for such sounds would include the eerie four-tone introduction to “The Twilight Zone” — distinctive and evocative, setting the stage for weird, supernatural goings-on. And the ticking timepiece of “60 Minutes” — an urgent, attention-must-be-paid sound perfect for a newsmagazine.
- And the shutter-click of “NCIS,” with its suggestion of “pause and examine closely” — the show’s dominant law-enforcement tool.
- Towering over them all, though, is the “Law & Order” dun-dun.
- Or chung-chung.
- Or bah-bonk.
- Or DA-doink.
- Or however you want to describe it; everyone who tries seems to do it differently.
You’ll know it if you hear it, which is the very point: This two-beat metallic sort of thunk is instantly recognizable all over the world, so much so that it has become an object of parody. What makes it so right? Well, it helps that the show that gave birth to it is one of the most successful series in TV history, rerun and syndicated and spun off to the point that the sound has been inescapable for 27 years.
- But mere ubiquity doesn’t crown you king of the TV mnemonics; you have to make a statement, and the right statement.
- Or, in the case of this particular noise, several statements.
- It’s the sound of a jail door shutting and locking.
- Of a judge double-pumping to gavel a courtroom to order.
- Of all the apprehensions and tensions of an urban night condensed into the length of a heartbeat.
Of a scripted TV show with the gravity and aspirations of a well-made documentary. (Mike Post, who is credited with creating the dun-dun, has said it’s actually a composite of various sounds, including a bunch of men stomping their feet.) One way to appreciate the brilliance of this or any of TV’s other great noises is to try to come up with a better one.
Is 30 seconds of song copyrighted?
According to Podcast Insights, there are currently over 660,000 podcasts in existence and over 28 million episodes available to listen to. This number is certainly growing as are the legal concerns and issues associated with hosting or producing a podcast.
- This article will provide some general guidelines and outline some of the rules around using copyrighted material in a podcast.
- MVS attorneys are increasingly being approached by people asking if they can use a specific song in a podcast and the answer is usually some iteration of “it depends”, as is the case here, but I will start by discussing some common myths and misconceptions around the use of copyrighted materials.
Can I use a song if I only use 15 seconds of it? This is one of the most common misconceptions. Unfortunately, this is not true and there is no bright line rule that says a use is an acceptable use as long as you only use 5, 15, or 30 seconds of a song.
- Any use of copyrighted material without permission is, according to U.S.
- Copyright law, copyright infringement.
- It does not matter if you use one second or the entire song, using copyrighted materials without the consent or permission of the copyright owner, constitutes copyright infringement.
- As a caveat, there may be fair use considerations present that will be discussed below.
Can I use a song if I provide credit and link to the song in the description of the Podcast? Again, the general answer is “no”. Simply providing credit to the artist, or copyright owner, does not allow you the right to use their work without permission or compensation.
- Providing attribution may be appreciated, and likely even a requirement of a license, but simply doing so does not eliminate your potential risk or liability of copyright infringement.
- I am not making any money from it.
- Would that be considered fair use? By far the biggest misconception MVS attorneys hear on a day-to-day basis involves the issue of fair use,
Fair use is a legal doctrine that allows a user to use portions of copyrighted materials for the purpose of commentary, criticism, reporting, teaching, and research without the need for permission from, or payment to, a copyright owner. Depending on the nature or subject matter of your particular podcast, and the specific use in question, one of the above categories might apply to your use.
- The fact that you are not making money from your podcast (yet – hopefully) does potentially play a role in the fair use determination, but that factor alone is not determinative.
- Fair use is an affirmative defense to copyright infringement and judges use four factors to resolve fair use disputes.
- None of the four factors are determinative and each situation is evaluated on a case-by-case basis.
Thus, judges have a great deal of discretion when making a fair use determination and the outcome of any given case can be hard to predict. The four factors judges consider are:
The purpose and character of the use. The nature of the copyrighted work. The amount and substantiality of the portion taken. The effect of the use upon the potential market.
Generally, the fact that you are not making money off your podcast is going to be weighed slightly in your favor, it is simply not going to be enough to be determinative in any fair use analysis. There are going to be situations where fair use is applicable and it is unlikely that you would ever receive a lawsuit for humming a few seconds of a song or singing the chorus of a song if it comes up in discussion, but again, each situation is going to be analyzed on a case-by-case basis.
- For a more detailed discussion of fair use, please click here,
- Now that some of the common misconceptions have been explained, what can you do? There are still a lot of options to limit your potential liability while still putting out a great podcast.
- Obtain a License from the Copyright Owner Obtaining a license from the copyright owner is the best way to eliminate potential copyright liability.
Generally, a license is going to take the form of a contract that gives you permission to use a specific song or copyright work in exchange for money or other consideration paid to the copyright owner(s). Most licenses are going to be negotiated with the artist themselves, or their relevant record label and music publishing company.
- There has been an increase of podcasts licensing music, primarily for intro, outro, and theme songs.
- However, the copyright owners do not have to give you permission to use a song, and simply requesting a license, does not mean you have received a valid license.
- There is no price guarantee and certain artists are going to charge much more than other artists for a license.
If you are attempting to obtain a license for a well-known song, you can reach out to the copyright owner directly or contact a copyright attorney to assist you in that process. If you do not have a considerable budget, you can simply search the internet for stock audio sites that provide access to a wide range of songs and sound effects for you to use.
- There are a lot of great sites that are offering this service for very reasonable rates.
- Use Royalty Free, Public Domain, or Creative Commons Content A simple internet search will also provide a significant number of sites that provide royalty free or creative commons songs for you to use.
- These sites generally have very few restrictions on how you can use the songs.
Additionally, any song written prior to 1923 (as well as many written after that date) is going to be in the public domain, meaning it is no longer protected by copyright. If a song is in the public domain, you are free to use it in your podcast or any other format.
- Whether or not a song is in the public domain can be difficult to determine, but there are websites and attorneys that provide assistance with doing so.
- And last but not least, you can always hire a musician(s) or local recording studio to create a song library for you to use.
- As a general rule, if you are not sure, you will nearly always be advised not to use it.
While podcast creation and listenership is growing rapidly, using that song is likely not worth the risk of finding yourself in the middle of a lawsuit. Taking some simple precautions now will likely help save you considerable time, energy, and resources later.
Who wrote the law and order Dun Dun?
NBC Insider Exclusive Create a free profile to get unlimited access to exclusive show news, updates, and more! Sign Up For Free to View The show that started it all is officially back. After an 11-year hiatus, the original Law & Order returned to NBC on Thursday, February 24 at 8 p.m.
ET. There are many things the much-watched legal drama has brought us over the years, including seven other series that’ve made up the franchise. But if there’s one thing any Law & Order fan can’t get enough of, it’s the “Dun-Dun” sound we hear every episode. Now, you can hear the iconic tune whenever you want—not just when you’re binge-watching the show.
NBC.com made the sound available for fans to play to their hearts’ content with this virtual “Dun-Dun” button, In a 1993 interview with Entertainment Weekly, three years after Law & Order premiered, composer Mike Post explained how he created the sound.
I think of it as the stylized sound of a jail cell locking,” he said. “I wanted to add something that’s very distinctive but not a literal sound. What I tried to do was jar a little bit.” If the virtual theme is not quite enough for superfans out there, you have until February 27 to enter to win a physical button that plays the “Dun-Dun”.
All you have to do is click here, then enter your name, email, and zip code. Good luck to all! Law & Order returns February 24, Thursdays at 8 p.m. ET on NBC. NBC Insider is your all-access pass to some of your favorite NBC shows. Go behind-the-scenes, stay on top of breaking news, hang with the stars, and much more.
What instrument is used in his theme?
Uploaded on Apr 15, 2017
|Part names||Flute (2), Oboe, Bassoon, Clarinet In B-flat (2), Clarinet Bass, Saxophone Alto, Saxophone Tenor, Saxophone Baritone, Trumpet In B-flat, French Horn, Trombone, Euphonium, Tuba, Glockenspiel, Vibraphone, Tubular Bells, Snare Drum, Crash, Piano|
Where does the bonk sound come from?
Part 1: Where is Bonk Sound Effects From? – Initially, it was a Disney sound effect that premiered in 1940 with the short film Fire Chief starring Donald Duck. It gets utilized in Walt Disney’s short films and movies before being acquired by Hanna-Barbera in 1963. It would eventually get picked up by other companies such as Warner Bros. On July 13th, 2019, snootboopes’ Instagram page released a movie based on two photographs of a Shiba Inu dog. The second image depicts the dog delightfully misshapen with a hand wielding a hammer added in, followed by bonk sound effect and clip art.Since then, it gets redistributed online as part of royalty-free cartoon sound effects bonk packs.
What do they say at the beginning of law and order?
Opening – Narrator : In the criminal justice system, the people are represented by two separate yet equally important groups: The police, who investigate crime, and the district attorneys, who prosecute the offenders. These are their stories.
Did the SVU intro change?
‘Law & Order: SVU’: The Only Time the Show Changed Its Opening Law & Order: SVU has one of the most iconic openings of any television series. Instantly recognizable, most fans can quote it by memory. “In the criminal justice system, sexually-based offenses are considered especially heinous,” the intro states.
- In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit.
- These are their stories.” With a voiceover provided by, the opening monologue is now as iconic as the show itself.
- Anyone can read the above text and also hear Zirnkilton’s deep voice.
The actor additionally recorded the intro for the original Law & Order : “In the criminal justice system, the people are represented by two separate yet equally important groups. The police who investigate crime and the district attorneys who prosecute the offenders.
These are their stories.” However, there was a time when the show, In the wake of the 9/11 terrorist attacks, SVU used a new and different voiceover, paying tribute to those who lost their lives on that day. “On September 11, 2001, New York City was ruthlessly and criminally attacked,” the monologue stated.
“While no tribute can ever heal the pain of that day, the producers of Law & Order dedicate this season to the victims and their families, and to the firefighters and police officers who remind us with their lives and courage what it truly means to be an American.” The altered intro ran for several episodes of season three.
What is 8D sound effect?
This post is part of Hard Refresh, a soothing weekly column where we try to cleanse your brain of whatever terrible thing you just witnessed on Twitter. You’ve heard of 3D, and even 4D, but prepare yourself for 8D. Well, sort of. If YouTube is your main source for music streaming then you may have seen something called “8D audio” in your suggestion bar.8D audio is essentially an effect applied to a stereo track where songs have been edited with spacial reverb and mixing to make it seem like the audio moving in a circle around your head.
- This experience can only be achieved by wearing headphones, which the gimmick relies upon to create the illusion of a 360 degree space.
- It sounds like this: Hundreds of songs have been edited to have this special effect.
- Some viewers claims it makes it feel like they’re listening live.
- The editing involved in this technique is best explained by YouTuber Dylan Tallchief, who runs a channel about all things audio.
From his analysis, Dylan suspects that tracks have two main things done to them to achieve this effect: First, reverb is applied to the track, which adds an echo and spatial reflections. Essentially, it sounds as if the existing audio track is being pumped through a room.
To recreate the effect Dylan uses an audio program to attain the rotating effect. Using a 3D stereo panner, the audio is manipulated to make it sound like it’s rotating around your head, though of course, you only have two ears, and the audio is still just stereo. The effect is that your brain is tricked into thinking there’s more space than there actually is.
As fun as the term “8D” is, the audio isn’t actually 8 dimensional. In an article on Mel Magazine by Eddie Kim, he explains, “Of course, there’s no actual new recording with 8D mixes of pre-existing songs. Instead, 8D music creators are using software that can manipulate a song’s various stereo parts, placing and moving them within a virtual 360-degree space.” So essentially, 8D is just another clickbait term that doesn’t really mean anything.
Although many pop, hip-hop, and rock songs have been remixed in this format, more ambient songs like this one tend to lend themselves best to the mixing style, creating an eerie and encapsulating environment. While some people find this form of music distracting, I find it mesmerizing, and I’m clearly not the only one.
Two notable YouTube channels, 8D TUNES and Trillion – 8D Music, boast 5.4 million and 1.6 million subscribers respectively. They also aren’t the only two channels to hop on the 8D audio train, several more channels have been popping up recently with videos reaching views in the hundred thousands.
- Both of the channels mentioned above have ads turned on.
- Some 8D audio tracks have been criticized for being distracting because the sound moves too quickly in the spatial field.
- However, as the style evolves, the creators have been getting better at moving the music in a more desirable and calming fashion.
What I really like about the slower style is that it feels like I’m in the room with the artist, and it also creates a virtual bubble in my headspace, allowing me to concentrate better. Thanks to the growing number of 8D channels on YouTube, it’s easy to find popular songs when you search for the song title along with “8D.” So sit back, relax, and let 8D audio make you feel like you’ve entered the another dimension. Charlotte is one of the new Culture Fellows at Mashable. She’s a recent Ithaca College alum and avid Jeopardy fan. When she’s not watching the Great British Baking show, you can probably find her at the local book store or working on her latest art project.
Why is it called 8D sound?
What is 8D audio? – If you spend a lot of time on YouTube, you might have stumbled across videos with titles including ‘8D audio.’ It makes for a unique listening experience, and the next time you see those magic words, you might want to click. You’ve probably heard of spatial audio, 3D audio – heck, even 4D.
- But 8D? What is 8D music? Is there actually such a thing as audio possessing eight dimensions? No, there isn’t.
- Audio doesn’t really have dimensions at all.8D music is, essentially, a subcategory of music that ‘tricks’ your brain into thinking you’re in a bigger space.
- Artists and producers manipulate the stereo sections of a track, making you feel like the sounds are coming from different directions.
Some say it gives you the impression of listening to live music. Others even suggest it makes you listen to music ‘with your brain’ instead of your ears. Pretty neat, if you ask us!
What is the most famous sound effect?
50 Greatest Movie Sound Effects
The Sound Effect: In Unforgiven, the bar falls silent when Munny (Clint Eastwood) enters, meaning the only sound we hear is the ringing of his boots on the wooden floor. How To Recreate It At Home: Get yourself some really sturdy boots and a very wooden floor.
Make sure there’s absolutely no sound to interfere with your recording for maximum crispness. Prev Page 1 of 50 Next Prev Page 1 of 50 Next The Sound Effect: The Icarus in Sunshine must have the prettiest distress beacon we’ve ever heard. (opens in new tab), How To Recreate It At Home: Manipulate your phone’s ringtone in the computer to get a vaguely musical sound effect.
Add echo for space-like ambience. Prev Page 2 of 50 Next Prev Page 2 of 50 Next
- The Sound Effect: Easily (opens in new tab) appears in Bill & Ted’s Excellent Adventure – it comes with lightning, crackling electricity, and an implacable battery-power sound.
- How To Recreate It At Home: Record a storm, naturally, then add in your own electronic sounds using devices around the house (microwave, washing machine, hoover).
Prev Page 3 of 50 Next Prev Page 3 of 50 Next The Sound Effect: Phones on their own aren’t particularly scary, but composer Marco Beltrami did something fun with them for his Scream score. Going thoroughly post-modern, he used ring tones and door bells in his compositions, heightening those sounds into something terrifying.
How To Recreate It At Home: Take ordinary sounds and distort them through the magic of technology. The world is your oyster. Prev Page 4 of 50 Next Prev Page 4 of 50 Next The Sound Effect: Sniiiiick! Wolverine’s claws just wouldn’t be as cool without the swish sound effects they come with. How To Recreate It At Home: While your dad’s sharpening the kitchen knives for the Sunday roast, record the sound the blades make as they – yes – snick together.
Prev Page 5 of 50 Next Prev Page 5 of 50 Next The Sound Effect: Whenever poor old Randall Peltzer in Gremlins makes a gadget, it invariably always breaks – and is accompanied by a comical twanging sound. It’s the same sound used in The Goonies, too. How To Recreate It At Home: Get a rusty old spring and twang it against the kitchen sideboard.
- The Sound Effect: In Mr Hulot’s Holiday (1953), Jacques Tati’s love of audio effects comes into play with the sound a restaurant door makes whenever it’s used – a comical, wooden thunk.
- How To Recreate It At Home: Find the oldest door you can and let it do the work for you.
Prev Page 7 of 50 Next Prev Page 7 of 50 Next The Sound Effect: In Big, the all-powerful Zoltar opens his mouth and makes a supremely scary groaning sound when our hero makes his wish How To Recreate It At Home: Record the sound the drain makes on a hot summer’s day.
Scary. Prev Page 8 of 50 Next Prev Page 8 of 50 Next The Sound Effect: In Labyrinth, the Bog Of Eternal Stench gives us the giggles as it emits what can only be described as rather rude ‘parping’ noises. How To Recreate It At Home: Feed granddad a load of beans. Then sit and wait. Prev Page 9 of 50 Next Prev Page 9 of 50 Next The Sound Effect: In Scott Pilgrim, Julie’s a dirty potty-mouth.
Which is OK, because whenever she swears, a handy little jumbled bleep sound saves our poor ears. How To Recreate It At Home: Take a recording of a particularly naughty-sounding R2-D2 bleep, then mess with the audio. Prev Page 10 of 50 Next Prev Page 10 of 50 Next The Sound Effect: An unusual sound effect, but one that really works.
- The Sound Effect: Alright, it originated in the TV series, but it (opens in new tab),
- How To Recreate It At Home: Wet the rims of a couple of wine glasses then run your fingers around them to recreate that lovely chiming sound.
Prev Page 12 of 50 Next Prev Page 12 of 50 Next The Sound Effect: Sure, there’s no sound in space, but that doesn’t stop Episode II: Attack Of The Clones giving us some really cool bomb sounds as pulsed, seismic charges send twangs through space when they detonate.
How To Recreate It At Home: Record an air rifle going off, then slow the sound right down to get the desired effect. Trust us, this one works. Prev Page 13 of 50 Next Prev Page 13 of 50 Next The Sound Effect: In The War Of The Worlds, the alien tripods aren’t shy, as evidenced in (opens in new tab),
How To Recreate It At Home: Crank the subwoofer as loud as it will go, then play anything you like on TV. That sound is guaranteed to make all the china in the house shiver. Prev Page 14 of 50 Next Prev Page 14 of 50 Next
- The Sound Effect: A tiny effect, but one that gives the hulking Garthim in The Dark Crystal real menace – as they scuttle about doing the Skeskis’ bidding, they make a rattling sound that’s the definition of ominous.
- How To Recreate It At Home: Take some dried-out chicken bones and rattle them together.
Prev Page 15 of 50 Next Prev Page 15 of 50 Next The Sound Effect: It’s been in everything. You know the one. Somebody throws something off-screen and an unseen cat screams in annoyance. We seem to remember it happening in The Mask (“A Tommy Gun!”). How To Recreate It At Home: Sneak up on the family cat, then bark like a crazy dog.
Prev Page 16 of 50 Next Prev Page 16 of 50 Next The Sound Effect: Sound designer Gary Rydstrom gave Saving Private Ryan real punch when he worked on the bullet sound effects, which whiz like an arrow before smashing into various targets. Unforgettable. How To Recreate It At Home: Drum a spoon on the bottom of an upturned saucepan.
If that doesn’t quite do it, buy some firecrackers and let them loose. Prev Page 17 of 50 Next Prev Page 17 of 50 Next
- The Sound Effect: Originally recorded for Frankenstein (1931), this old-as-time effect has reappeared all over the place, including Ghostbusters, Neverending Story, Back To The Future – even the Care Bears Movie,
- How To Recreate It At Home: That’s the joy – you don’t need to.
Prev Page 18 of 50 Next Prev Page 18 of 50 Next The Sound Effect: If there’s one thing Episode I had going for it, it was the pod racer scene. It turned out to be one of the most thrilling scenes of the prequel trilogy – not least because of the awesome sound design on the pod racers.
- The Sound Effect: A baddy’s nothing without his weapon of choice, and Emperor Ming in Flash Gordon has his cool ring, which makes a pleasingly kitsch sci-fi sound (opens in new tab),
- How To Recreate It At Home: Bang a few teaspoons and record the sound they make when they twang.
Prev Page 20 of 50 Next Prev Page 20 of 50 Next The Sound Effect: You know the one. The ‘wolf howl’ sound effect has been in everything, most notably The Howling, For obvious reasons. How To Recreate It At Home: Go down to your local homeless dog shelter. Depressing, but you’ll get some good howls out of it. Prev Page 21 of 50 Next Prev Page 21 of 50 Next
- The Sound Effect: We doubt a car would ever make this sound if it transformed into a robot, but that doesn’t stop it sounding hella cool whenever somebody like Optimus Prime does his Transformer thing.
- How To Recreate It At Home: Record yourself going “ah-oh-uh” through a voice changer.
Prev Page 22 of 50 Next Prev Page 22 of 50 Next
- The Sound Effect: Tarantino cleverly preserves the true identity of ex-assassin The Bride in Kill Bill Vol 1 by bleeping out her name every time somebody says it.
- How To Recreate It At Home: Press a button on the microwave for long enough and you’ll get the perfect censor bleep sound.
Prev Page 23 of 50 Next Prev Page 23 of 50 Next The Sound Effect: Two notable ones from T2 here – first there’s the sound of the spark that ignites the T-1000’s truck and blows it to smithereens. Then there’s that gorgeous sound of the T-800’s grenade launcher – WHUMP.
How To Recreate It At Home: The spark sounds like a little bird chirrup, which should be easy enough to recreate. As for the WHUMP, you can probably accomplish that with your voice. Prev Page 24 of 50 Next Prev Page 24 of 50 Next The Sound Effect: What’s The Big Lebowski without bowling? Well, nothing.
Which is why the sound designers obviously spent so long looking for that perfect ‘strike’ sound. How To Recreate It At Home: The importance here is the crack and bounce of the pins hitting one another – which you’ll only find in the bowling alley. Prev Page 25 of 50 Next Prev Page 25 of 50 Next
- The Sound Effect: As Alien rampages towards its climax, the tension is made all the more palpable by the sound of that raucous alarm.
- How To Recreate It At Home: Record the beeping sound of a truck reversing, then manipulate it in the computer for a more future sci-fi sound.
Prev Page 26 of 50 Next Prev Page 26 of 50 Next The Sound Effect: It’s the moment we’d all been waiting for – the Predator unhooks the edges of its mask, which gives a pleasingly gaseous hiss. Then its mandibles move in hard-to-define clicky sounds. How To Recreate It At Home: The gas part is easy (just use a deodorant canister).
The clicky sounds might require trawling through audio files of insects and tweaking the sound design to fit your needs. Prev Page 27 of 50 Next Prev Page 27 of 50 Next The Sound Effect: As he soars and swings through the city, one sound is always distinct over the bustle of the city in Spider-Man – our hero letting loose a new string of web to keep him airborne.
How To Recreate It At Home: Two words whipped cream. Press down on the canister very gently (and fleetingly) to get a burst of sound without the tell-tale foamy audio of the cream. Prev Page 28 of 50 Next Prev Page 28 of 50 Next
- The Sound Effect: Indiana Jones’ whip has a very distinct cracking sound – all the better to slash nasty Nazis with.
- How To Recreate It At Home: This one’s easy – just buy a whip.
Prev Page 29 of 50 Next Prev Page 29 of 50 Next
- The Sound Effect: The crack and pop of the planes soaring through the air in Top Gun,
- How To Recreate It At Home: Get out the hoover and record it being pressed against different objects (but never a person, unless you want hickey-like marks).
Prev Page 30 of 50 Next Prev Page 30 of 50 Next The Sound Effect: An American Werewolf In London ‘s famous transformation scene has some great sound effects, not least the sound of cracking, warping bone as David’s body contorts into that of a wolf. How To Recreate It At Home: Eaten your Sunday roast? Now take the chicken carcass and start snapping bones.
Prev Page 31 of 50 Next Prev Page 31 of 50 Next The Sound Effect: A gargling howl that’s as expressive as any language we’ve ever heard. Shame we can’t understand a word he’s saying. How To Recreate It At Home: Step on the dog’s tail (accidentally, of course) for the required effect. Prev Page 32 of 50 Next Prev Page 32 of 50 Next The Sound Effect: Using the simple sound of an escalating, high-pitched bleeping, Aliens ratchets up the tension via (opens in new tab) the cadets use to tell if a xenomorph is on the war path.
How To Recreate It At Home: Whistling works best for us. Cheap, too. Prev Page 33 of 50 Next Prev Page 33 of 50 Next The Sound Effect: Tron and Tron Legacy both feature the coolest bikes ever invented in the form of the lightcycles. Sure, they both have their flaws, but (opens in new tab) is masterful.
How To Recreate It At Home: Take a regular bike and distort it through the computer. For the smashing sound, smash up some old plates in the back garden. Prev Page 34 of 50 Next Prev Page 34 of 50 Next The Sound Effect: Used over and over in numerous movies, Johnny Weismuller’s iconic ‘Tarzan call’ is now inseparable from the jungle swinger, despite the fact that the sound clip is going on for 80 years old.
How To Recreate It At Home: Refuse to feed your dad. When he lets out a yell of hungry anger, capture it on tape. Prev Page 35 of 50 Next Prev Page 35 of 50 Next The Sound Effect: The helicopters in Apocalypse Now aren’t just any old helicopters. Sound designer Walter Murch synthesised real helicopter recordings to create something entirely unique.
- The Sound Effect: Bond’s (opens in new tab) (opens in new tab) when he’s strapped to a table, legs spreadeagled. Meanwhile, a (cool-sounding) laser edges its way between his pins
- How To Recreate It At Home: A hoover should give you the required humming electronic sound, while pressing the high pitch C on a Casio keyboard should help you emulate the buzz of a laser
Prev Page 37 of 50 Next Prev Page 37 of 50 Next
- The Sound Effect: Just (opens in new tab) and tell us the sounds that the Batpod makes aren’t some of the coolest ever heard in a movie
- How To Recreate It At Home: Record your older bro’s motorbike, the sound of the washing machine spinning and the food blender at high speed, then mix for an awesome Batpod sound.
Prev Page 38 of 50 Next Prev Page 38 of 50 Next
- The Sound Effect: Even when Leatherface isn’t visible on screen, the sound of his favourite weapon buzzing in the background is enough to set your teeth on edge.
- How To Recreate It At Home: In lieu of an actual chainsaw, offer to cut your nan’s hedge for her using the hedgeclippers, then record your strenuous activity for the ultimate horror movie sound effect.
Prev Page 39 of 50 Next Prev Page 39 of 50 Next
- The Sound Effect: Don’t have a horse? No worries – just hire a guy with a pair of coconuts to follow you around everywhere you go (opens in new tab)
- How To Recreate It At Home: Obviously, you’ll need a couple of hollowed-out coconut halves and a willing slave
Prev Page 40 of 50 Next Prev Page 40 of 50 Next The Sound Effect: Of course, one of the big ones. A mix of real breathing and what sounds like a gas tank, the effect of Vader’s breathing is the only thing that suggests this scary villain is actually alive.
How To Recreate It At Home: Borrow grandad’s oxygen tank and go wild. Prev Page 41 of 50 Next Prev Page 41 of 50 Next The Sound Effect: The Ghostbusters are nothing without their proton packs, which emit a funky sound whenever they’re used. How To Recreate It At Home: Take a recording of one of Steve Tyler’s screams, and synth it to hell.
Done. Prev Page 42 of 50 Next Prev Page 42 of 50 Next The Sound Effect: A neat little sound effect courtesy of Back To The Future, When Doc turns on the time circuits screen in the DeLorean, we get an electronic little blip that sounds both futuristic and awesome.
How To Recreate It At Home: First you’ll need a DeLorean Prev Page 43 of 50 Next Prev Page 43 of 50 Next The Sound Effect: Chilling and instantly recognisable in equal measure, (opens in new tab) in The Grudge is one to raise the tiny hairs on the back of your neck. How To Recreate It At Home: Take a few gulps of your favourite liquor (to lubricate the back of the throat).
Open your mouth and sigh. Done. Prev Page 44 of 50 Next Prev Page 44 of 50 Next
- The Sound Effect: Whenever Agent Smith takes over the body of a person in The Matrix, we are treated to this cool sound effect – a kind of computerised scream.
- How To Recreate It At Home: Scream into your recording equipment, then warp it with a synthesiser.
Prev Page 45 of 50 Next Prev Page 45 of 50 Next The Sound Effect: Jurassic Park ‘s pièce de résistance, the T-Rex was an impressive feat in CGI engineering – but also sound design, as that blaring trumpet of a howl (opens in new tab), How To Recreate It At Home: Get edit happy on the computer and blend the roars of a lion, an elephant and a human to get something entirely unique.
- The Sound Effect: HAL sings ‘Daisy Daisy’ for Dave in 2001: A Space Odyssey, but his rendition goes a bit wrong, gradually getting slower and slower until (opens in new tab),
- How To Recreate It At Home: Dig your old tape recorder out of the attic, record yourself singing your favourite song then hold down the pause button while it’s playing to slow yourself down to a creepy crawl.
Prev Page 47 of 50 Next Prev Page 47 of 50 Next The Sound Effect: Far more subtle than the screeching violins in Psycho ‘s famous shower scene are the muted sounds of stabbing. Which is all you need (opens in new tab), How To Recreate It At Home: Take a nice sharp knife (you might need supervision here), and stab a melon to your heart’s content.
Easy. Prev Page 48 of 50 Next Prev Page 48 of 50 Next The Sound Effect: Surely the coolest sci-fi weapon you could ever ask for, the lightsaber in the Star Wars films not only looks awesome, but sounds awesome, too. (opens in new tab) How To Recreate It At Home: Get an empty toilet roll, paint it your favourite colour (has there ever been a pink lightsaber?), then run around the house going “thoooom”.
Prev Page 49 of 50 Next Prev Page 49 of 50 Next The Sound Effect: Used anywhere and everywhere, the Wilhelm Scream is in all likelihood the most famous sound clip ever, having appeared in over 200 movies, including Star Wars and Lord Of The Rings. How To Recreate It At Home: Download the ‘Wilhelm Scream’ onto your phone.
Who made the sound YEET?
yeet – Wiktionary Definition from Wiktionary, the free dictionary
- () : /jiːt/
Popularized by a 2014 video uploaded on, Examples of an interjection which sounds like this being uttered while throwing something can be found as early as 1998 (by British presenter ) and 1999 (in the King of the Hill episode “To Kill a Ladybird”).
Where did the phrase Dun Dun Dun come from?
Etymology – Onomatopoeic representation of a stereotypical three-note dramatic sting (short musical phrase) used in films and television.
What classical song goes dun dun dun?
Ludwig van Beethoven ‘Symphony No.5 ‘: Dun Dun Dun Dunnnnn!
How did they make the noises for toothless?
Creating Dragon Sounds and Roars for How to Train Your Dragon In this video, you can learn how Randy Thom created the sound of the various Dragons in How to Train Your Dragon. There are 6 dragon species, the NightFury, Monstrous Nightmare, Gronckle, Terrible Terror, Deadly Nadder and Zippleback. This video shows how their roars and sounds and audios are created by mixing the sounds of Human and animal sounds such as Elephants, Horses, Tigers etc.
Toothless and Nightfury ‘s sound are emphasized, and they are created by mixing Humans, Elephants, Horses, Tiger and Cats sound together. Supervising Sound Mixer and Sound Designer, Randy Thom talks about Dreamworks Animation 3-D thrilling action-adventure How to Train Your Dragon. Find out how the roster of dragons were brought to life and the unique approach Skywalker Sound takes when working on their films sound.
: Creating Dragon Sounds and Roars for How to Train Your Dragon
How were the Nazgul sounds made?
Though The Lord of the Rings trilogy was a game-changer in many ways, some of its most effective tricks were pretty simple. Sound effects have always been an art form unto themselves, since the earliest days when sound first appeared in movies. Sound design plays as much of a role in the creation of a movie as the art direction of cinematography, and when it comes to fantasy or science fiction, they’re absolutely necessary to create the reality of a fictional world,
The Lord of the Rings trilogy is no different, as the Best Sound Mixing Oscar was a part of their historic awards haul for 2003’s The Return of the King, The trilogy broke new ground in visual effects, so it’s no surprise that the sound effects were similarly innovative. That said, however, one of the most distinctive in the entire saga was actually absurdly simple.
The Nazgul’s howls – a supremely unsettling screech that announced the arrival of Sauron’s chief minions – actually came from a simple trick. The Ringwraiths constituted Sauron’s first real move against the remainder of Middle-earth, sent into the Shire to hunt down the One Ring in Frodo Baggins’s care. Frodo and his friends escape the wraiths by the skin of their teeth, but their appearance was an early sign of just how terrifying Mordor’s forces could be.
They stood out all the more amid the quiet greenery of the Shirevv- creatures of solid black that could destroy everything they saw if they wished. A great deal of their menace came down to the sound effects. Their early appearances hunting Frodo were fraught with terror, and yet they rarely took any direct action at all.
But their screech – along with other sound effects and director Peter Jackson’s direction – gave the audience all the information they needed to understand just how powerful and dangerous these creatures could be. As it turns out, that screech had a simple explanation. According to an article in the BBC, the foley artists who created it simply rubbed two plastic party cups together to create the base sound before adding a few effects to complete the impression.
The sound was simultaneously alien and organic, and it was accomplished using objects available for pennies at any grocery store. But the simple effect should not come as much of a surprise. Jackson spent most of his career on the indie film scene and knew how to make judicious use of a low budget. While The Lord of the Rings movies used many techniques that hadn’t been seen before – including software such as MASSIVE, which created the battle scenes and has been a staple for similar sequences ever since – it also got by on a lot of plain old-fashioned sleight-of-hand.
That included forced perspective shots that made the hobbit actors look smaller than their human counterparts and the Balrog’s sounds being created by pulling a breezeblock across a wooden floor. That made the use of such comparatively simple sound effects easy, and when the impact is as strong as the Ringwraiths’ howl, adding more than a few runs through the mixing board feels like an unnecessary waste.
How did they make the LEGO sound?
There’s that great ‘quick brick build’ sound for when characters build things, which has also been used in The LEGO Movie, and LEGO games like LEGO Jurassic World, and for TV projects too, like LEGO Star Wars: The Padawan Menace. How did you guys make that sound? – WP: That sound was made by recording real LEGO Duplo bricks, plastic buckets, Tupperware, etc.
- All different weights of plastic.
- We would then cut the Master Builder effects together as a very fast, tight sequence which we then ran through Soundtoys Tremolator plug-in, to make them even faster, and give the sound movement.
- It was a device we first used on The Padawan Menace, and has since become a signature sound for the LEGO brand.
Popular on A Sound Effect right now – article continues below: Need specific sound effects? Try a search below:
How did they make the dragon noises in Game of Thrones?
Game Of Thrones Sound Designer Uses Sm4 To Make Dragon Sounds, Spread Message Of Conservation. If you watched the last episode of Game of Thrones, you heard animals recorded by the Song Meter SM4.